Monday, September 20, 2010

Hannibal analysis - part 11: The processes of alchemy

CATEGORY: MOVIES









Evelda Drumgo (shown at left) represents Clarice Starling's Jungian shadow. The confrontation with the shadow is associated with the alchemical nigredo stage.


Alchemy is an ancient tradition, the primary objective of which was the creation of the mythical "philosopher's stone", which was said to be capable of turning base metals into gold or silver, and also act as an elixir of life that would confer youth and immortality upon its user. The philosopher's stone is created by the alchemical method known as The Magnum Opus or The Great Work.[a] Often expressed as a series of color changes or chemical processes, the instructions for creating the philosopher's stone are varied. The Great Work originally had four stages:

1) nigredo, a blackening or melanosis
2) albedo, a whitening or leucosis
3) citrinitas, a yellowing or xanthosis
4) rubedo, a reddening, purpling, or iosis[b]

Jung relates alchemy to psychology in his Psychology and Alchemy:

"The problem of opposites called up by the shadow plays a great - indeed, the decisive - role in alchemy, since it leads in the ultimate phase of the work to the union of opposites in the archetypal form of the hierosgamos or 'chymical wedding'. Here the supreme opposites, male and female (as in the Chinese yang and yin), are melted into a unity purified of all opposition and therefore incorruptible."[c] The chymical wedding (also called the chymical marriage) takes place during the alchemical citrinitas stage.

One of Lecter's goals is to have a chymical wedding come about between himself and Starling.


a. Wikipedia, 'Alchemy'. Web, n.d. URL = https://en.wikipedia.org/wiki/Alchemy.
b. Wikipedia, 'Magnum opus (alchemy)'. Web, n.d. URL = https://en.wikipedia.org/wiki/Magnum_opus_(alchemy).
c. Jung, C.G. The Collected Works of C.G. Jung, Vol. 12. Princeton University Press, 1968. p. 37.


   





Disclaimers
1) In certain instances it has been determined that the creators of some of the productions analyzed on this blog, and/or the creators of source material(s) used in the making of these productions, may be making negative statements about certain segments of society in their productions. These statements should be taken as expressing the opinions of no one other than the creators.

2) This blog is not associated with any of the studios, creators, authors, publishers, directors, actors, musicians, writers, editors, crew, staff, agents, or any other persons or entities involved at any stage in the making of any of the media productions or source materials that are analyzed, mentioned, or referenced herein.

3) In keeping with the policies of the filmmakers, authors, studios, writers, publishers, and musicians, that have created the productions (and their source materials) that are analyzed, mentioned, or referenced on this blog, any similarity of the characters in these films or source materials to actual persons, living or dead, is purely coincidental.

---------------------------------------------------------------------------------

All images on this blog are used solely for non-commercial purposes of analysis, review, and critique.

All Wikipedia content on this blog, and any edits made to it, are released under the Creative Commons Attribution-Share-Alike License 3.0.

Marcus Aurelius's Meditations - from Wikisource (except where otherwise noted); portions from Wikisource used on this blog are released under the Creative Commons Attribution-Share-Alike License 3.0.

Saint Augustine's Confessions and City of God from Wikisource (except where otherwise noted); portions from Wikisource used on this blog are released under the Creative Commons Attribution-Share-Alike License 3.0.

Saint Thomas Aquinas's Summa Theologica from the 'Logos Virtual Library' website (except where otherwise noted), compiled and edited by Darren L. Slider; believed to be in public domain.